St. Peter's Basilica, in Rome, Italy, 1995
The white form in the ray of light was not
there when John took this photo.
John Manousso took this photo in Rome, Italy, on 18 May 1995
at St. Peter's Basilica in front of the altar over St. Peter's
crypt, while visiting family in Italy on our way to Santorini,
Greece. John was not going to take any photos because it was
about 5 P.M. and quite dark in the unlit church from the overcast
sky. As
John and I, his wife Barbara, discussed whether it was too dark in the church to
take a photo, risking another indistinct European church picture, a
young couple pushed a man in a wheelchair in front of the line of
vision to the tomb. The couple talked for two or three minutes
with the man in the wheelchair in one of two strains of light, which
beamed down from the dome, barely making St. Peter's altar visible
in the background.
Upon leaving the basilica, we took all ten rolls of film from our travel
through Budapest, Vienna, Venice, and Rome with 24 frames each to be
developed in a little photo shop near John's uncle's condo in Rome. John
was worried about exposing our film to airport x-ray security devices
while we continued our trip through Europe. Since the photos were
quickly machine processed, within a few hours, John and I stood in front
of the photo shop and flipped through our travel photos.
When we
got to the photo taken in front of St. Peter's tomb, we froze and
simultaneously pointed at the solid white celestial figure looking over
the man in the wheelchair inside the misty beam of light! We both knew
that no one had crossed through the beam of light because John had
purposely waited for the people to clear the beacon of light. No statues
or paintings were in the middle of the floor, and, as we discovered on a
subsequent trip, even within that immediate area.
To assure ourselves of this unexplainable photo, upon returning home, we
had our camera checked for a mechanical problem: There was none.
We then had the whole role of film forensically analyzed for double
exposure or superimposition: All twenty-four frames were centered.
In Houston, Texas, National Photo Lab (NPL) granted us a Letter of
Authenticity. We have no scientific explanation for John’s photo, just awe for capturing a miracle. However, we believe that John took this photo for a reason and a special mission.
A Personal Note by Barbara Manousso
21 Briar Hollow Lane, Suite 508, Houston, Texas 77027 USA Phone 713.840.0828 Fax 713.850.1452
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